Auto-Tune makes producing music easier. It can also make understanding music theory easier. The way you dial up different keys and scales doesn’t just guide your ear, it also guides your eye.
Your voice can produce a smooth continuum of pitches. To sing, you eliminate most of those possibilities, vibrating your mouth and throat only at certain frequencies, the pitches of the melody. Auto-Tune helps by shifting the voice’s frequency to the closest desired piano-key pitch.
Towards the bottom left is a knob labeled Retune Speed. Even the best singers waver around their intended pitch for a few milliseconds before converging on it. If you correct away that wavering, the result sounds artificial. So Auto-tune can be set to delay its effects. Slower retune speeds allow more human-sounding shakiness to pass through the filter. If you set the retune speed to zero, there’s no wavering allowed, and you get the robo-vocal sound beloved by T-Pain, Kanye West and Lil Wayne. It’s more widely known as the Cher Effect, because a lot of people first encountered it in her song “Believe.” There’s a persistent and false story that Cher used a vocoder for “Believe.” The producers lied in interviews, not wanting to give away their trade secret. Auto-Tune isn’t exactly a software vocoder, but it’s based on the same math.
Music-theoretically, the interesting part of Auto-Tune is the center of the window, listing the twelve pitches on a piano. By default, Auto-Tune is set to the chromatic scale, all the piano keys, starting on C. To Auto-Tune yourself in C major, you need to remove C-sharp, D-sharp, F-sharp, G-sharp and A-sharp. (There are no flats for some reason.) This is a lot like the way you set up a xylophone or marimba for a beginner. By taking the bars for the undesired notes off, you make it impossible to play anything wrong.
A bit of fun for music nerds: the notes you omit from the C major scale, the black keys on the piano, form the F-sharp major pentatonic and E-flat minor pentatonic scales.
To make the C natural minor scale, you omit C sharp, E, F-sharp, A and B. To get the other minor scales, you’d just need to toggle the sixth and seventh notes differently. For C dorian you’d leave A in and remove G-sharp.
“A Love Supreme” by John Coltrane starts with this a fanfare on the notes B, E and F-sharp.
In the key of C, the fanfare’s three pitches are C, F and G. This is one of my favorite Auto-Tune settings. It sounds amazing on speech.
Ebm Auto Tune Key Finder
It’s even more fun to strip the pitch set down even further, taking out the F and even the G for maximum posthuman warbling. Being limited to a smaller group of pitches forces you to concentrate on rhythmic patterns. Check out how cool it sounds when you set Auto-Tune to just the root note.
Ebm autotune key. Some Facts About C C development began in 1979, four years before its release, and it did not start with the name C; Its first name was C with classes. In the late part of 1983, C with Classes was first used for AT&T's internal programming needs.
- Auto-Key Auto-Key is an automatic key and scale detection plug-in, designed to enhance your Auto-Tune workflow and save valuable time in the studio. Choosing the correct key and scale for your music is an essential part of effective pitch correction, and Auto-Key makes this quick and easy. Ebm Piano Chord Chart. Piano Chord Chart.
- Apr 26, 2020 Explanation: The regular Eb minor chord is a triad, meaning that it consists of three notes. The chord is often abbreviated as Ebm. Oct 15, 2012 This thread is in regards to Auto-Tune Evo. Anyway, I've noticed no matter what the key is selected as, if the scale is chromatic, the auto tune always kicks in and works.
- Auto-Tune EFX 2020 License key is an adaptable new vocal creation device, which consolidates the center highlights of Auto-Tune with the broad Auto-EFX Serial key multi-impacts rack, and Auto-Motion pitch-moving melodic example generator.For the maker, designer, or performer searching for certified ongoing Auto-Tune pitch revision, Auto-Tune.
Auto-Tune’s binary representation of the combinational possibilities of music theory is similar to the way I learned how to conceive my chords and scales in jazz training. You can derive any scale or chord by starting with the chromatic scale and omitting the wrong notes.
Sometimes you want to be constrained to a traditional scale, but more often the blend of pitches you want is more idiosyncratic. In major keys, you very often want to use the minor third and sometimes minor sixth. For a blues feel in any key, you can include the flat fifth. Omitting the fourth and seventh from a major or minor scale makes a dissonance-free pentatonic.
Here’s how you can build your own scales, chords and pitch groups in the key of C, in or out of Auto-Tune.
Auto-tune Free Download
C: The root or tonic. Probably leave it on.
C-sharp: The flat second. Leave on for Middle Eastern music, turn off for Western.
Ebm Auto Tune Keyboard
D: Second. Usually leave on, except for Middle Eastern music.
D-sharp: Minor third. Leave on for tragedy and blues.
E: Major third. Leave on for happy, turn off for sad.
F: Fourth. Probably leave on unless you’re making major pentatonic.
F-sharp: Flat fifth, sharp fourth. Leave on for blues and exotica.
G: Fifth. Probably leave on, though try turning it off for fun.
G-sharp: Minor sixth. Leave on for tragic feel.
A: Major sixth. Leave on for bright/happy feel.
A-sharp: Minor seventh. Leave on for blues, minor, rock, or mixolydian.
B: Major seventh. Leave on for major and harmonic minor, brightness, and suspense.
See more scales in Auto-Tune-like representation.
Symmetry and patterns register on the ears and eyes differently, but there’s substantial and intriguing overlap. If you illuminate every other note on the list, you get the whole tone scale. If you alternate skipping a note, not skipping the next one, skipping the one after that and so on, you get the diminished scale. The symmetries of those scales announce themselves to the ear immediately, though you may not be able to figure out what specifically the symmetries are.
I’m pretty psyched about the convergence of the mind’s eye and the mind’s ear. All digital music-making tools have a synaesthetic element. For visual thinkers like me, the computer’s music visualization tools have opened up some big new swaths of sonic terrain.
Any interesting related music visualization systems out there? Hit me in the comments.
| Have reasonable expectations: I think most people's perception of pitch correction is a bit irrational. Think you can take any karaoke nightmare and turn him/her into a polished pop masterpiece? Think again folks. As amazing as the current suite of pitch correction products are, there are some miracles that cannot yet be achieved. The voice is an extremely complex instrument with subtle nuances and characteristics that we may never fully understand. That being said, if your vocal track has poor phrasing, breath control issues, lack of conviction, bad tone, or 'insert one of a million problems other than pitch here,' you could be out of luck. I think a lot of producers want to set the record straight on this; bottom line, you still need a reasonably convincing performance before you even think about pitch correction. |
| Remember Auto-Tune is designed to pitch correct monophonic sound sources, chords or polyphonic sources will not be detected correctly. |
| Next I will set the tracking. Auto-Tune relies on a periodically repeating waveform to detect incoming pitch. Tracking allows you to 'loosen' its idea of 'periodic' which may be necessary in the case of noisy or poorly recorded sources (i.e. live performances, or very 'breathy' sources). For most studio scenarios, the default setting of 50 is just fine, however my specific vocal is in this case exceptionally breathy so I increase it a bit to 70. |
- As a matter of personal preference I generally use 'automatic' mode for quick tuning jobs or during live performances, when manually retuning is not practical/impossible, or when a specific 'effect' is desired. More often then not though I will take the track phrase by phrase and manually retune the whole performance or just the worst spots.
| * You can also use automatic mode to spot tune with audio suite. Just fix the bad spots. |